• SEE YOU IN SEPTEMBER – WE’RE TAKING THE SUMMER OFF

    September is also when postcard shows resume – in Merrickville (Sept. 9th) and Dundas (Sept 24th).

    Details on our show calendar page.

POSTCARD DIGITIZATION (AND SOME STARS OF YESTERYEAR!)

By Andrew Cunningham

The Winnipeg Public Library is engaged in a major postcard digitization project, based (thus far) on the collections of two TPC members – Rob McInnes and the late Martin Berman. The postcard images that have been uploaded so far are available on the Library’s impressive Past Forward website. In the course of working on the collection, one of the librarians, Christy, unearthed a great story after finding a postcard written from Winnipeg by an early twentieth-century actress who went by the stage name Ruth Maycliffe. Ruth’s story, together with some context from Christy about to the Library’s impressive project, is recounted in this post on the Library’s “Readers’ Salon” blog. It’s well worth reading.

Postcards of popular stage personalities were collected with great enthusiasm at the height of the postcard craze (roughly 1905-1910). However, because the names are rarely recognizable to us, today’s collectors often don’t show much interest in the cards that depict them. That’s unfortunate, because with a little online research performers’ publicity postcards often yield up interesting stories. Not infrequently, the careers of the vaudeville-era actors who appeared on early 20th century postcards carried on right into the television era. As a random example, one very Edwardian-looking music-hall actress whose postcard somehow ended up in my collection turned out, on further investigation, to have been a guest star in several episodes of Rod Serling’s The Twilight Zone (playing a very old lady, of course!)

Below is a typical card of this genre, a “Philco” effort showing the (once) famous Dare sisters — Phyllis (1887-1975) and Zena (1890-1975) — together with their mother, Harriette Dones. These cards were especially popular in England, with major publishers constantly issuing new series featuring West End actors, sometimes (as below) in the fashions of the day and sometimes as they had appeared in their most recent or most famous roles:

the-misses-zena-phyllis-dare-mother

By the way, we’re always interested to hear about postcard digitization projects from anywhere in Canada (or anywhere else if the subject-matter would interest our members). Please send us a note if you know of any that aren’t mentioned on our site.

EMBROIDERED SILK POSTCARDS

By Andrew Cunningham

Among the most beautiful collectible postcards are embroidered “silk” cards, the vast majority of which were made in France and Belgium during the First World War and sold mainly to British Empire and U.S. troops. The cards featured colourful imagery, such as the butterfly in the example below. Most of the designs — although by no means all of them — incorporated militaristic or patriotic elements, such as the four national symbols embroidered into the butterfly’s wings in our example. Because so many “silks” were produced, and because they were usually retained as keepsakes, they are more common than one might expect (and not always quite as valuable as those who find one or two in “Grandma’s album” tend to hope).

As the website of the Imperial War Museum in London notes, the most sought-after cards tend to be rarities with imagery specific to particular regiments (including many Canadian examples, as TPC member Mike Smith recently discussed in the Wayback Times). Also worth checking out is this site featuring choice examples from the collection of a British deltiologist. World War I silk postcards, including those with Canadian themes, are a terrific collecting area that, with a little time and effort, could produce a beautiful and historically informative collection at a relatively modest cost.

[WW I butterfly silk]

Butterflies were one common motif on World War I silk postcards, typically with flag elements worked into the stitching of the wings.

Postcards from Arabia

By Andrew Cunningham

St John Simpson, Middle East specialist with the British Museum, has posted an article on the Academia.edu website on the history and significance of postcards from the Middle East. Much of what he says with respect to the social significance of postcards in that region of the world would apply generally. It’s great to see the increased academic interest in postcards as mirrors of historical moments that are otherwise lost to view. Read the article here.